[confictura.norma.x] I.
—
MODES OF WORK
Artistic presentation and contextualization
Participants articulate their methods, histories, premises, and unresolved questions, making tacit dimensions of practice available for collective examination without premature simplification.
Critical listening and comparative analysis
Performances and recordings are examined through attentive listening, description, comparison, and discussion, addressing phrasing, articulation, timing, timbre, intonation, balance, form, acoustics, and relations between intention and perception.
Practice-led experimentation
Participants test interpretative, technical, instrumental, spatial, and methodological propositions through performance, using experimentation to clarify questions, expose assumptions, and generate situated knowledge.
Solo interpretative inquiry
Soloists examine how embodied decisions mediate among score, repertoire history, instrumental technique, acoustic space, technology, and public presentation. Interpretation becomes an active process of analysis and authorship.
Ensemble inquiry
Quartets investigate listening, coordination, leadership, balance, difference, and collective decision-making. Ensemble coherence is approached as a dynamic relation rather than a fixed ideal of homogeneity.
Critical reflection
Participants examine the values, norms, institutions, and histories informing their practices, including pedagogical inheritances, rehearsal processes, technologies, individual projects, and the broader conceptual framework.
Documentation as research
Recordings, annotations, texts, diagrams, and related documents support analysis and communication. Documentation is understood as an interpretative and methodological operation rather than a neutral record.
Public presentation
Projects are presented at the seventh Bled Contemporary Music Week. Public performance situates artistic propositions within concrete acoustic, institutional, and social conditions, provisionally articulating the residency’s extended inquiry.
DATES
MENTORS
ARTISTIC PREMISE
CONCEPTUAL FRAMEWORK
WHO THE RESIDENCY IS FOR
PROGRAM STRUCTURE
MODES OF WORK
CENTRAL QUESTIONS
ARTISTIC DEVELOPMENT
ANTICIPATED OUTCOMES
INTERNATIONAL EXCHANGE
WHY PARTICIPATE?
APPLICATION
APPLICATION FORM AND
PARTICIPATION FEES
The [confictura.norma.x] I. program is produced by .abeceda Institute
.abeceda [Institute for Research in Art, Critical Thought and Philosophy], a public-benefit NGO and non-profit organisation dedicated to advancing contemporary artistic practices and critical inquiry. Through its innovative programmes, .abeceda has gained international recognition as one of the leading platforms for contemporary music and artistic research in the Adriatic region and across Europe: www.abeceda.io