[confictura.norma.x] I.

 

 

MODES OF WORK

 

Artistic presentation and contextualization

Participants articulate their methods, histories, premises, and unresolved questions, making tacit dimensions of practice available for collective examination without premature simplification.

 

Critical listening and comparative analysis

Performances and recordings are examined through attentive listening, description, comparison, and discussion, addressing phrasing, articulation, timing, timbre, intonation, balance, form, acoustics, and relations between intention and perception.

 

Practice-led experimentation

Participants test interpretative, technical, instrumental, spatial, and methodological propositions through performance, using experimentation to clarify questions, expose assumptions, and generate situated knowledge.

 

Solo interpretative inquiry

Soloists examine how embodied decisions mediate among score, repertoire history, instrumental technique, acoustic space, technology, and public presentation. Interpretation becomes an active process of analysis and authorship.

 

Ensemble inquiry

Quartets investigate listening, coordination, leadership, balance, difference, and collective decision-making. Ensemble coherence is approached as a dynamic relation rather than a fixed ideal of homogeneity.

 

Critical reflection

Participants examine the values, norms, institutions, and histories informing their practices, including pedagogical inheritances, rehearsal processes, technologies, individual projects, and the broader conceptual framework.

 

Documentation as research

Recordings, annotations, texts, diagrams, and related documents support analysis and communication. Documentation is understood as an interpretative and methodological operation rather than a neutral record.

 

Public presentation

Projects are presented at the seventh Bled Contemporary Music Week. Public performance situates artistic propositions within concrete acoustic, institutional, and social conditions, provisionally articulating the residency’s extended inquiry.

DATES

MENTORS 

ARTISTIC PREMISE

CONCEPTUAL FRAMEWORK

WHO THE RESIDENCY IS FOR

PROGRAM STRUCTURE

MODES OF WORK

CENTRAL QUESTIONS

ARTISTIC DEVELOPMENT

ANTICIPATED OUTCOMES

INTERNATIONAL EXCHANGE

WHY PARTICIPATE?

APPLICATION

APPLICATION FORM AND

PARTICIPATION FEES

The [confictura.norma.x] I. program is produced by .abeceda Institute

.abeceda [Institute for Research in Art, Critical Thought and Philosophy], a public-benefit NGO and non-profit organisation dedicated to advancing contemporary artistic practices and critical inquiry. Through its innovative programmes, .abeceda has gained international recognition as one of the leading platforms for contemporary music and artistic research in the Adriatic region and across Europe: www.abeceda.io